Dilomprizulike biography for kids

Dilomprizulike

Nigerian contemporary artist

Dil-Humphrey Umezulike, better known as Dilomprizulike (born in Enugu, Nigeria) is a contemporary artist working in sculpture, performance and painting who has adopted the moniker "Thejunkmanfromafrika".[1] He studied art at the University of Nigeria, Nsukka, Nigeria, and has an MFA from the University of Dundee, Scotland.

Online biography for kids The Victoria and Albert Museum in turn, can only benefit from such an encounter in which it is envisaged that Dilom will, to invoke Sarat Maharaj's model of postcolonial re-writing, 'translate' the collection from an African viewpoint bringing into question the notion of cultural authenticity. Dilomprizulike trained and worked as an artist at the universities of Nsukka and Benin in Nigeria. Indeed the awkwardness of making art from junk — from discarded truck spare parts to mere scrap metal — can be quite a stretch for most people. This ambitious project comprises three distinct phases.

In his work he recycles and transforms heaps of old clothing and other detritus found on city streets, creating sculptural installations and performances that reflect the disenfranchised situation of many African people.

He created the "Junkyard Museum of Awkward Things", a sculptural environment built up from found objects, in Lagos and has also made a version of it for the Oriel Mostyn Gallery in Llandudno, Wales.[2]

Dilomprizulike explains his installation Wear and Tear in these terms:[3]

Wear and Tear as a concept attempts to expose the often overlooked and underrated elements of the African-Urban communal life which largely influence it.

The alienated situation of the African in his own society becomes tragic. There is a struggle inside him, a consciousness of living with the complications of an imposed civilisation.

Dilomprizulike biography for kids pdf The alienated situation of the African in his own society becomes tragic. He was also a resident at the Gasworks Gallery while he prepared a piece for the Victoria and Albert Museum and presented his famous "Professor Junk" performance at many of the tours stops. It is not simply about making do with junk. External links [ edit ].

He can no longer go back to pick up the fragments of his father's shattered culture; neither is he equipped enough to keep pace with the white-man's world.

From , his work was exhibited in the famous Africa Remix Exhibition that toured many countries around the globe. The first stop for Africa Remix was at the Museum Kunstpalast, Düsseldorf, Germany, and subsequent locations were, Hayward Gallery, London UK, Centre Pompidou, Paris, France, Mori Art Museum, Tokyo, Japan, Moderna Museet, Stockholm, Sweden, Johannesburg Art Gallery, South Africa.

He was also a resident at the Gasworks Gallery while he prepared a piece for the Victoria and Albert Museum and presented his famous "Professor Junk" performance at many of the tours stops.

Dilomprizulike biography for kids Contents move to sidebar hide. Through his art, Dilomprizulike engages with the socio-political issues facing African societies, particularly the challenges of urbanization and the environment. Dilomprizulike, also known as "The Junkman of Africa," is an artist who incorporates recycled materials into his artworks to explore themes of identity, migration, and the impacts of global consumer culture. En partenariat avec.

In he created Busy Street for the Herzliya Museum of Contemporary Art in Israel. The piece, which was made from local rubbish, was a reflection on Israel's consumer society.[4]

References

External links

  • The Junkyard Afrika, Dilomprizulike's official website
  • "The Junkman from Africa"Archived at the Wayback Machine.

    Transcript of Dilomprizulike's talk at Tate Modern, 5 October

  • Molara Wood, "Around the world with Dilomprizulike"[permanent dead link&#;], 13 February , in next
  • Femi Macaulay, "Why artists must be far from the madding crowd – Junkman", The Sun (Nigeria), 26 April
  • Molara Wood, "Dilomprizulike: Wear and Tear"[permanent dead link&#;], The Guardian (Nigeria), 17 April